Floto+Warner

Career

Jeremy Floto and Cassandra Wagner live in Brooklyn, New York City.
Floto+Warner are renowned for their inci­sive per­spec­tive on mod­ern archi­tec­ture, indus­trial spaces, and land­scapes, offer­ing through their images new per­spec­tives on the rela­tion­ship between place, fig­ure, and form.

Visual Style

Their pho­tographs reg­u­larly appear in numer­ous pub­li­ca­tions includ­ing Dwell, Fortune, Time, W Magazine, Vanity Fair, and AD. Their clients include Volkswagen, Canon, Barclays, AT&T, Prada, and OMA/​Rem Koolhaas, among oth­ers.
Their work has been exhib­ited at the Carnegie Museum of Art, the Walker Art Center, and the Yale University Art Gallery.

Major Series and Works

Jeremy Floto grew up in a small desert town in Nevada, where he quickly devel­oped a fas­ci­na­tion with depict­ing vast open spaces.
Cassandra Warner was raised in New York State, near Albany, where her early fas­ci­na­tion with archi­tec­ture was inspired by roller-​skating through the mar­ble hall of the highly futur­is­tic Empire State Plaza in Albany.

Recognition

Jeremy and Cassandra met while study­ing at the Rochester Institute of Technology, where their shared inspi­ra­tions quickly led them to form the tal­ented duo Floto+Warner.
They have worked together for nearly twenty years, bring­ing their highly dis­tinc­tive vision to each of their projects.
Whether direct­ing a com­mer­cial film for Volkswagen or cov­er­ing one of the world’s largest flea mar­kets for TIME Magazine, Floto+Warner share the same aes­thetic sensitivity. 

Reading the Work

Floto+Warner’s work finds its bal­ance in a graphic and con­tem­po­rary pho­to­graphic approach atten­tive to form, color, place, and the rela­tion­ship between sub­ject and envi­ron­ment. It is dis­tin­guished by a dual per­spec­tive, for­mal pre­ci­sion, and an abil­ity to renew the per­cep­tion of pho­tographed spaces.
Their images ben­e­fit from close and nuanced obser­va­tion: a com­po­si­tional detail, a par­tic­u­lar dis­tance from the sub­ject, a qual­ity of light, or a tex­ture is often enough to reveal their depth.